1) "Don't ever think I fell for you, or fell over you. I didn't fall in love, I rose in it.","Toni Morrison, Jazz"

2) " I will give you this, my love, and I will not bargain or barter any longer. I will love you, as sure as He has loved me. I will discover what I can discover and though you remain a mystery, save God's own knowledge, what I disclose of you I will keep in the warmest chamber of my heart, the very chamber where God has stowed Himself in me. And I will do this to my death, and to death it may bring me. I will love you like God, because of God, mighted by the power of God. I will stop expecting your love, demanding you love, trading for your love, gaming for your love. I will simply love. I am giving myself to you, and tomorrow I will do it again. I suppose the clock itself will wear thin its time before I am ended at this altar of dying and dying again. God risked Himself on me. I will risk myself on you. And together, we will learn to love, and perhaps then, and only then, understand this gravity that drew Him, unto us.","Donald Miller, Blue Like Jazz: Nonreligious Thoughts on Christian Spirituality"

3) "Writers don't make any money at all. We make about a dollar. It is terrible. But then again we don't work either. We sit around in our underwear until noon then go downstairs and make coffee, fry some eggs, read the paper, read part of a book, smell the book, wonder if perhaps we ourselves should work on our book, smell the book again, throw the book across the room because we are quite jealous that any other person wrote a book, feel terribly guilty about throwing the schmuck's book across the room because we secretly wonder if God in heaven noticed our evil jealousy, or worse, our laziness. We then lie across the couch facedown and mumble to God to forgive us because we are secretly afraid He is going to dry up all our words because we envied another man's stupid words. And for this, as I said, we are paid a dollar. We are worth so much more.","Donald Miller, Blue Like Jazz: Nonreligious Thoughts on Christian Spirituality"

4) "I never liked Jazz music because Jazz music doesn't resolve. But I was outside the Bagdad Theater in Portland one night when I saw a man playing the saxophone. I stood there for fifteen minutes, and he never opened his eyes.After that I liked Jazz music.Sometimes you have to watch somebody love something before you can love it yourself. It is as if they are showing you the way.I used to not like God because God didn't resolve. But that was before any of this happened.","Donald Miller, Blue Like Jazz: Nonreligious Thoughts on Christian Spirituality"

5) "I once listened to an Indian on television say that God was in the wind and the water, and I wondered at how beautiful that was because it meant you could swim in Him or have Him brush your face in a breeze.","Donald Miller, Blue Like Jazz: Nonreligious Thoughts on Christian Spirituality"

6) "It comforts me to think that if we are created beings the thing that created us would have to be greater than us, so much greater, in fact, that we would not be able to understand it. It would have to be greater than the facts of our reality and so it would seem to us, looking out from within our reality that it would contradict reason. But reason itself would suggest it would have to be greater than reality or it would not be reasonable.","Donald Miller, Blue Like Jazz: Nonreligious Thoughts on Christian Spirituality"

7) "Today I wonder why it is God refers to Himself as 'Father' at all. This, to me, in light of the earthly representation of the role, seems a marketing mistake.","Donald Miller, Blue Like Jazz: Nonreligious Thoughts on Christian Spirituality"

8) "If you dont love somebody, it gets annoying if they tell you what to do or what to feel. When you love them, you get pleasure from their pleasure nad it makes it easy to serve. I didnt love God because i didnt know God. universe is not effected by time. Light exists outside of time.. It is still a mystery to physicists.","Donald Miller, Blue Like Jazz: Nonreligious Thoughts on Christian Spirituality"

9) "When we strike a balance between the challenge of an activity and our skill at performing it, when the rhythm of the work itself feels in sync with our pulse, when we know that what we're doing matters, we can get totally absorbed in our task. That is happiness.The life coach Martha Beck asks new potential clients, ""Is there anything you do regularly that makes you forget what time it is?"" That forgetting -- that pure absorption -- is what the psychologist Mihaly Csikzentmihalyi calls ""flow"" or optimal experience. In an interview with Wired magazine, he described flow as ""being completely involved in an activity for its own sake. The ego falls away. Time flies. Every action, movement and thought follows inevitably from the previous one, like playing Jazz. Your whole being is involved, and you're using your skills to the utmost.""In a typical day that teeters between anxiety and boredom, flow experiences are those flashes of intense living -- bright against the dull. These optimal experiences can happen when we're engaged in work paid and unpaid, in sports, in music, in art. The researchers Maria Allison and Margaret Duncan have studied the role of flow in women's lives and looked at factors that contributed to what they call ""antiflow."" Antiflow was associated with repetitive household tasks, repetitive tasks at work, unchallenging tasks, and work we see as meaningless. But there's an element of chaos when it comes to flow. Even if we're doing meaningful and challenging work, that sense of total absoprtion can elude us. We might get completely and beautifully lost in something today, and, try as we might to re-create the same conditions tomorrow, our task might jsut feel like, well, work. In A Life of One's Own, Marion Milner described her effort to re-create teh conditions of her own recorded moments of happiness, saying, ""Often when I felt certain that I had discovered the little mental act which produced the change I walked on air, exulting that I had found the key to my garden of delight and could slip through the door whenever I wished. But most often when I came again the place seemed different, the door overgrown with thorns and my key stuck in the lock. It was as if the first time I had said 'abracadabra' the door had opened, but the next time I must use a different word. (123-124).","Ariel Gore, Bluebird: Women and the New Psychology of Happiness"

10) My ex calls the ochre winter 'autumn' as we queue to hear dock boys play Jazz fugues in velvet dark.— Broken Verses,Kamila Shamsie

11) "Amy [Winehouse] changed pop music forever, I remember knowing there was hope, and feeling not alone because of her. She lived Jazz, she lived the blues.",Lady Gaga

12) She was cool— the whole world seemed to spin around her in smooth Jazz.,"Atticus Poetry, Love Her Wild: Poems"

13) Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy!Holy! Holy! Holy! Holy! Holy! Holy!The world is holy! The soul is holy! The skin is holy!The nose is holy! The tongue and cock and handand asshole holy!Everything is holy! everybody's holy! everywhere isholy! everyday is in eternity! Everyman's anangel!The bum's as holy as the seraphim! the madman isholy as you my soul are holy!The typewriter is holy the poem is holy the voice isholy the hearers are holy the ecstasy is holy!Holy Peter holy Allen holy Solomon holy Lucien holyKerouac holy Huncke holy Burroughs holy Cas-sady holy the unknown buggered and sufferingbeggars holy the hideous human angels!Holy my mother in the insane asylum! Holy the cocksof the grandfathers of Kansas!Holy the groaning saxophone! Holy the bopapocalypse! Holy the Jazzbands marijuanahipsters peace & junk & drums!Holy the solitudes of skyscrapers and pavements! Holythe cafeterias filled with the millions! Holy themysterious rivers of tears under the streets!Holy the lone juggernaut! Holy the vast lamb of themiddle class! Holy the crazy shepherds of rebell-ion! Who digs Los Angeles IS Los Angeles!Holy New York Holy San Francisco Holy Peoria &Seattle Holy Paris Holy Tangiers Holy MoscowHoly Istanbul!Holy time in eternity holy eternity in time holy theclocks in space holy the fourth dimension holythe fifth International holy the Angel in Moloch!Holy the sea holy the desert holy the railroad holy thelocomotive holy the visions holy the hallucina-tions holy the miracles holy the eyeball holy theabyss!Holy forgiveness! mercy! charity! faith! Holy! Ours!bodies! suffering! magnanimity!Holy the supernatural extra brilliant intelligentkindness of the soul!,"Allen Ginsberg, Howl and Other Poems"

14) We real cool. We Left school. We Lurk late. We Strike straight. We Sing sin. We Thin gin. We Jazz June. We Die soon.,"Gwendolyn Brooks, Selected Poems"

15) "Streets paved with opal sadness,Lead me counterclockwise, to pockets of joy,And Jazz.","Bob Kaufman, Cranial Guitar: Selected Poems"

16) We real cool. WeLeft school. WeLurk late. WeStrike straight. WeSing sin. WeThin gin. WeJazz June. WeDie soon.,"Gwendolyn Brooks, The Bean Eaters"

17) "Christian spirituality was not a children's story. It wasn't cute or neat. It was mystical and odd and clean, and it was reaching into dirty. There was wonder in it and enchantment.","Donald Miller, Blue Like Jazz: Nonreligious Thoughts on Christian Spirituality"

18) "The other night we talked about literature's elimination of the unessential, so that we are given a concentrated ""dose"" of life. I said, almost indignantly, ""That's the danger of it, it prepares you to live, but at the same time, it exposes you to disappointments because it gives a heightened concept of living, it leaves out the dull or stagnant moments. You, in your books, also have a heightened rhythm, and a sequence of events so packed with excitement that I expected all your life to be delirious, intoxicated.""Literature is an exaggeration, a dramatization, and those who are nourished on it (as I was) are in great danger of trying to approximate an impossible rhythm. Trying to live up to Dostoevskian scenes every day. And between writers there is a straining after extravagance. We incite each other to Jazz-up our rhythm.","Anaïs Nin, The Diary of Anaïs Nin, Vol. 1: 1931-1934"

19) "I'm very much aware in the writing of dialogue, or even in the narrative too, of a rhythm. There has to be a rhythm with it … Interviewers have said, you like Jazz, don’t you? Because we can hear it in your writing. And I thought that was a compliment.",Elmore Leonard

20) "But Alonso kept smiling that smile and nothing made any sense with that smile looking you in the face. 'Jim, don't tell me that, you know, brother-shit. I have been through it all. Take, you know, advice. There is only one thing and that is the kick, the Now. Nothing else counts. Get yours. Get it because, you know, no one cares and they will always put you down in the end, Jim, and the only word that counts is, you know, Now. Not that foolish brother and bopping Jazz, Jim. Now. Because if it all don't go up in any, you know, twenty minutes; up, all gone; then they are going to put you down and keep you down. Now.","Sol Yurick, The Warriors"

21) "Art and disease proliferate via contagion, and similar conditions favor both.","Ted Gioia, How to Listen to Jazz"